#intangible design
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Visual Diary 8-a
Considering parameters in design:


While thinking of how designers leverage or alleviate design parameters to solve specific problems, I looked back at my sound engineering life to remember sitting at a large Solid State Logic (SSL) board and its flying faders and top-of-the-line audio recording software, configuration, and all the processors you could connect to it to record and create the best quality audio projects. To solve the problem of capturing great audio recordings without being bound to this behemoth of modern audio engineering, designers leveraged the function or parameters of the physical recording equipment and current former recording technology to create new technology that could duplicate the functions of much physical audio hardware while also alleviating parameters to designing a new way of recording included convenience, ease of use, ease of connection to processing equipment, computer storage space, compatibility with music equipment including audio processors, and considering the quality of digital signal flow that would create high-quality sound output. With all the advances in digital recording, for those of us who are a crossover from the analog days of recording, I wonder if there is a such thing as designers going beyond required parameters to evolve the uses of technology for developing recording software that goes way beyond the need of the producer. Well, of course, they do. Most of the designed components of a lot of software will never be utilized by many producers but that doesn't mean others won't use those tools.
In my case, many different recording software had the same primary purpose but how to get to the outcome varies. I can look at software and think "When will I ever need to use half of these functions?" while another producer may think "I'm trying everything and see what happens." Designers create more than enough to give users options. Is that a designer flaw, benefit, or presumption, etc.?
A designer could consider the physical equipment that would be needed to use the software but recording space design would be left to the users of the software. What equipment you can use with the software is of concern to the designers but which pieces of music or audio equipment a producer uses is not.
A basic truth about these parameters for creating a digital audio production tool that could create great quality output is that your sound will never be absolutely perfect but you can achieve the sound you desire with certain software and plugins that help shape your sound. Another truth is designers can design the program based on a producer's needs and even create software that could "correct" audio recording blemishes but the best sound imput is what's going to define how great the output is. Before, while recording music, I had not thought beyond whether or not the Digital Audio Workstations (DAW) could accommodate the parameters of my recording projects and now when I see a DAW, I think of how the design of one component is reliant on the parameters of the component and the many components that make up the whole of the system.
Photos by Geekflare
#design leadership#digital design#design parameters#tangible design#intangible design#Design Whole#adequate design
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think i’ve been underappreciative of william afton as a character i haven’t dedicated a lot of thought to how objectively cool his character is as a concept. i should change that
#this is brought on by those fnaf 2 movie leaks where he and vanessa are seemingly in their house#like he’s the big bad and yet also pretty intangible in my mind i need to think about him more#also my textposts have started getting fairly more notes lately so i’m just gonna say before anyone accuses me of something stupid#i am NOT saying i think willy was doin good or that i defend or ignore his actions#(marge simpson voice) i just think he’s neat#also i wanna draw him with a movie -influenced design#i just got a copy of the silver eyes novel and i’m rereading it for the first time since i was in seventh grade#fnaf#five nights at freddy's#fnaf movie#william afton#steve raglan#purple guy#<- do i even tag this as purple guy?? is that even the same guy anymore remember when he was vincent
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(Chinese speaking, with english subtitle)
˗ˋˏ ♡ ˎˊ˗ 很愛 #蘇繡 #fineartcraft #suembroidery #中國非物質文化遺產 #文化藝術傳承 #design #簡針繡
👍結合創新改造,保留傳統技藝。💎 Thanks 🙏
Su embroidery, a craftsmanship on China's list of intangible cultural heritage, has a history of more than 2,000 years. This traditional art form is characterized by its intricate needlework, vibrant colors, and elaborate designs. Blending Chinese tradition with modern fashion, luxury brand Dior has collaborated with Chinese artisans to incorporate Su embroidery completed by the dazi, or seed, stitching technique into its menswear collection. Check out the documentary Revival of Ancient Arts.
#🫶 love it so much#fine art craft#suembroidery#intangible cultural heritage#中國非物質文化遺產#su embroidery#蘇繡#文化藝術傳承#design#簡針繡#embroidery#chinese culture
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Smaugust Sampler: NIGHT
The Starveil Drake's impeccable camouflage has only one weakness; the excess luminance of the full moon betrays its presence. It is otherwise a remarkably efficient, nearly silent hunter.
The dragon seems incorporeal in parts, but intense light reveals its true, solid form. Scales and all.
This was an idea I really loved. Of course, for Smaugust, I couldn't spend a full on month on it, BUT, I really think this design is cool. I might do a full patience render another time!
#smaugust 2024#smaugust#dragon art#dragon design#original design#incorporeal#stars#galactic#intangible#camoflauge#moonlit#my art#krita#digital art#krita illustration#monster#drake#night
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Image from PayPal.com
Design Parameters for PayPal's Financial Solutions
PayPal continues to evolve and maintain its relevance in the financial technology landscape by consistently holding value for users and adapting to their needs. Since its inception in 1998, PayPal has revolutionized the way consumers and businesses transact, empowering over 435 million active users across more than 200 markets. By facilitating immediate peer-to-peer payments, PayPal has transformed consumer behavior, reducing reliance on paper checks and paving the way for a future where physical debit and credit cards may become obsolete. Importantly, PayPal has also played a crucial role in helping small businesses grow and thrive in an increasingly digital marketplace.
The platform effectively anticipates user needs and technological advancements. PayPal allows consumers to discover products, compare prices, make purchases, track packages, and manage returns—all in a streamlined manner. This comprehensive approach fosters new behaviors, especially among its diverse user demographic, which spans generations. Notably, the fastest-growing demographic includes individuals over 50, with impressive usage statistics showing 85% of Generation X, 75% of Millennials, 73% of Baby Boomers, and 71% of retirees actively using the platform.
PayPal's innovations also extend to environmental sustainability. By significantly reducing the need for physical banking infrastructure and paper transactions, PayPal helps lower carbon footprints, contributing to a more sustainable future. Furthermore, the company has reduced remittance costs and expanded its services to include credit options, investment products, and the ability to buy, hold, and sell cryptocurrencies. Utilizing AI technology, PayPal analyzes customer behavior to make real-time risk decisions, ensuring security for its users. Its success has not only solidified its role in the fintech industry but has also catalyzed the emergence of other influential companies, illustrating its lasting impact on the financial landscape. With its commitment to adaptability and user-centered design, PayPal remains a cornerstone of modern financial solutions, poised to shape the future of how we transact.
#PayPal#ai technology#design leadership#convenience#tangible and intangible parameters#design leadership parameters#human-centered design#serving a community need#modified behavior
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Interiors #1 AI Art by Gerryjohnson.com for Intangible Stories
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i am 15 again listening to phantogram's "when i'm small" and i am wondering when this dark spiral inside my chest will erupt through my ribcage so that i can finally have a reason to scream
#the song is my ultimate comfort song. nothing will ever feel like that song does#to me it is a warm & candlelit hug from a vague woman figure who has seen my horrors#she is petting my dyed red hair and telling me i am alone yet not by my own design#she is petting my dyed red hair and telling me it is okay for me to feel emotionally out of control#idk how to describe something as intangible as that song
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#design home#living room#cottagecore#daily challenge#I think? not positive#red and brown with blue and green notes#and yellow#warm tones#I feel like as a tumblr user I'm uniquely qualified to judge good cottagecore because did not that term originate on this very webbed site?#it should feel like if your grandma's house was your house#cozy and warm. floral and vintage#rich with patterns and soft textures#that's my metric I guess#it's like koselig and hygge. kind of intangible and tough to define but knowable all the same#honestly I don't always agree with the things the new cottagecore style filter turns up#but I'm very pleased with this space. I think I nailed the vibe#my first cottagecore space since they made it a thing and I think I really got it#from the fox table to the flowers#not to toot my own horn but I guess when I share stuff on here it's usually because I really like how it came out :)
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Sand Drawings of Vanuatu: A Unique Artistic Legacy
Here is the next in our series about art forms. This time, we look at sand drawings as an art form. Previously, we looked at many other types of art forms, and you can begin your journey by reading about them here. This is an art form I was totally unaware of, and I have to say that I thoroughly enjoyed my research to learn about it. This is such an ancient type of art for the people living on…

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#Ambrym island#ancient practices#art form#artistic expression#artistic skill#continuous patterns#Cultural Heritage#cultural preservation#cultural significance#educational programs#intangible cultural heritage#intricate designs#island nation#native art#Pacific culture#sand art#sand drawings#sand roing#South Pacific#storytelling#symbolic language#traditional art#UNESCO#Vanuatu#visual language
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CTS A — Week 12 - Compulsory question 3
A collaborative project I am highly interested in doing is a social media campaign together with the Diploma in Creative Direction for Fashion. It would be about advocating for proper pockets in women’s clothing. In our collaborative campaign, they would spearhead the creative direction for a photoshoot exploring women’s pockets, highlighting the way it is right now versus the way it should and could be. My role would be to produce the deliverables that could visually communicate the campaign’s message, such as posters, publications, and videos. It would hopefully be an eye-opener to the public and inspire concrete change in the fashion industry.
For my final project, I want to explore the misrepresentation of women in pop culture. Various stereotypical portrayals of women still persist today wherein they exist to be damsels-in-distress, domesticized, objectified, or used to advance a man’s self-development (Walters et al.). I want to foster change in this matter by designing a website similar to the Bechdel test website but encompassing forms of media beyond movies—such as books, comics, video games, etc. This would be accompanied by a publication and a video that would provide a rationale for this advocacy and why there is a need for such a website.

An organization I would like to collaborate with is UNESCO, particularly in the aspect of their Intangible Cultural Heritage (ICH) Lists. I want to aid in preserving the intangible cultural heritage of Asian countries through creating a documentary series; as well as creating branding and publication materials for the ICH campaign.

If there was one word to describe how I aspire my designs to be, it would be “memorable”. I aim to be a designer and/or illustrator for book covers, posters, and brand materials but I believe that a better placeholder for all these for now is a graphic designer in general. Through CTS A, I believe that I would be equipped with the skills, work ethic, and mindset to think creatively and critically for every project I am faced with, ensuring that each of them is memorable, as I aspire them to be.
(348 words)
Cornwall, Gail. “Why girls need pockets - The Washington Post.” Washington Post, 15 January 2020, https://www.washingtonpost.com/outlook/2020/01/15/why-girls-need-pockets/. Accessed 15 November 2023.
Diehm, Jan, and Amber Thomas. “Women's Pockets are Inferior.” The Pudding, https://pudding.cool/2018/08/pockets/. Accessed 15 November 2023.
Walters, Aly, et al. “A Look at Women Represented in Media.” Study Breaks, 17 July 2017, https://studybreaks.com/culture/women-representation-media/. Accessed 15 November 2023.
“What is Intangible Cultural Heritage? UNESCO Intangible Cultural Heritage, https://ich.unesco.org/en/what-is-intangible-heritage-00003. Accessed 15 November 2023.
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Visual Diary 9: Cultural Parameters
Adoption of Cover Crops in Row Crop Farming
When thinking about solutions that need to be aware of their adoption because of cultural practices, I thought about agriculture and cover crops specifically. Agriculture is an industry that is very dictated by historical trends and habit. Conventionally, farmers plant crops in the spring, harvest in the fall, and from fall to spring the fields lay empty.
In the last several years, researchers have found that this fallow period from fall to spring makes the soil more vulnerable to wind and rain erosion. To mitigate this, folks have tried to implement cover crops - a practice to plant something in the fall to provide ground cover from fall to spring.
One tangible parameter around this is cost - it costs money to drive over the field, it costs money to purchase the seeds, and it costs money to harvest the cover crop in the spring.
However, an intangible and heavily cultural parameter around cover cropping is the fact that farmers like to do what they've always done, or like what their parents and grandparents have always done. Introducing change in this environment is very difficult, and changemakers need to get buy-in from those in the community and come with lots of data backing their position to get others to agree.
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Do You Feel That?
Idea. So imagine the bats are going to Amity (or a place nearby) to investigate something. A building that had very strange readings, maybe even investigating a case. Probbaly starting in a forest. So this place is haunted naturally, and the ghosts can’t be perceived by the human eye. In this universe, Danny can technically become visible in his ghost form if he concentrates, along with many powerful ghosts, but their default is intangibility and invisibility and it’s just inefficient to use a that much power just to be seen. So most things that happen in Amity are not seen by normal people. Those infected by ectoplasm (the pits and ectoplasm being two separate things in this) are able to see ghosts after enough exposure. So if a hero were to come to Amity, they would see the destruction happening but it would look like some kind of invisible force, and then if they ask why others aren’t panicking, they just say Phantom is taking care of it.
Anyways, so the bats do not know about ghosts and are investigating this house and basically every kind of malevolent spirit you can think of is there and trying to mess with them. After all, even if they can’t see a ghost, that ghost can still affect them. And Phantom sees these idiots getting closer to one of the designated danger zones in his territory. (Or he was visiting a nearby haunted area due to the rising danger level and sees the bats right in the middle of it) The place all natives know to avoid at all costs. So the bats go anyways, completly oblivious to the danger. Danny arrives just in time to stop a ghost who was inches away from digging their claws into Red Robin.
And it goes on with Danny desperately keeping the ghosts back, tackling them, shooting them, growling and hissing and doing everything in his power to shield the oblivious heroes and keep them safe. He can’t even warn them because he’s spending too much power just keeping them alive in the woods. Because of course they decide to investigate the most haunted woods near Amity. Most of these spirits are old, angry, and wild.
And the bats are just casually going about their buisness, discussing the case and the evidence they found.
Danny tackles a ghost wolf to keep them from biting their fangs into Red Hood’s neck.
They follow some tracks.
Danny grabbing the shadowing tendrils attempting to strangle Nightwing.
They even joke around and push each other.
Someone temporarily possessed Red Robin and he starts reaching for a batarang with bloodlust in his eyes, before Danny digs his hands into the bat’s chest and rips out the foreign entity.
There is screaming, snarling, screeches, and lots of punches thrown, all unheard by the bats.
By the end, Danny is panting as they finally made it out of the forest. The bats are tracking a signal, and heading towards an abandoned house. Danny looks up and sees the place absolutly overflowing with spirits. They are crawling up the sides, eyes and teeth and tentacles moving through the wooden boards. Banshees and wraiths, eyeing them through the windows. Skinny limbs with barely any form creaking as their claws try to escape the house and reach towards the group below. Hundreds upon hundreds of spirits all confined to this small hut and ready to tear apart any who enter.
Danny takes one look at them, overhears the bats say that they have to head inside, and decide that he’s not dealing with this today. So he shoots a small laser to cut their power. No signal? No lights? No search.
He can hear the bats complaining but eventually, they have to turn back as they lost the signal and they are unable to continue. And hears them talk about how the place was so weird. Almost like something was watching them.
Phantom sags in relief once they are finally gone.
While they leave, Danny squares his shoulders because he needs to deal with all these ghosts before they get back.
Later, after not finding anything strange about the house or forest or the cause of their case (possibly a death? Or maybe just trying to find information connecting to something else?) and all the previous evidence and traces were gone. So they call in the magic users to use a spell to show the past and figure out what happened. And they can see the group in a sort of 3D holographic image as they investigated. But the spell doesn’t just show them, it shows every being from that time….so the group gets to see just exactly how close they all came to dying.
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Danny’s Wayne adoption bait. The guy that owns the bodega knows it. Everyone and their mothers knows it. Danny, on the other hand, had no clue. To be fair, he had just crash landed in this dimension a week ago and his back was still sore from the weird design the car had.
(It’s only three weeks of homelessness later does Danny realize that he crash landed on the Batmobile. Whoops. Oh well. He’ll blame it on Clockwork if the vigilante asks after repair costs.)
(Bruce, on the other hand, is scouring the streets for this kid the car cams caught- oddly static filled footage- because his mind jumped to the worst case scenarios: a suicidal meta or a meta being threatened or a meta in a trafficking scheme or even worse all three at once and Bruce just can’t because there is a child in danger, he doesn’t have time to sleep.)
Danny rubbed at his back, eyes going watery at the memory. Sure, his wounds have healed over by now but the- heh- phantom pain is no joke. He shuddered, huddling closer to his threadbare hoodie. His only saving grace from getting jumped while walking the streets of Gotham at night is his invisibility and intangibility. Also, he’s floating, so “walking” doesn’t apply to him.
He’s gotta check on the kid he saved yesterday from a mugging, so Danny hurried along to the depilated apartment complex the kid was squatting in. Turning visible and tangible as he turns the corner, Danny glanced around for Amy.
“Danny!”
“Hey, kiddo. Doing alright?”
“Yeah! Come meet my gang!”
Danny felt his eyebrows rise to form Jazz’s exasperated look. Ouch. Waving the pain of losing Jazz away, Danny smiled at the excited girl.
“A gang? I wasn’t aware I was being brought to your almighty group.”
“Yeah! Uh, you actually helped a bunch of us so…”
Danny thought back to all those times he punted crooks away from robbing kids and shrugged. Yeah, what Amy said was likely.
“Kay, kiddo.”
She scowled, and Danny didn’t have the heart to tell her it looked more like a pout.
“You’re just a teenager.”
“Well, you’re a just a kid.”
Danny cackled as she chased him down the street, trying to kick his shins.
Life is good, even if he’s homeless and hungry.
——
“Jason.”
“Old man.” Jason mocks back, pausing his tasks. He waits as Bruce struggles to put his thoughts and feelings into words.
“There’s… a meta.”
“In Gotham?” Jason tilts back, hands halfway to his guns as a silent offer. Bruce shakes his head.
“A child. In Crime Alley.”
“In my turf?” Jason’s disquieting demeanor quickly swapped to a protective one.
“Trafficking, I think. Male, black hair…”
“Shit. Get Dickwing back here, he’s good with traumatized kids. I’ll go look for him.” Jason’s already moving, mind filtering through the kids he knows might have information to offer.
Bruce nods, shoulders relaxing. Jason smacks down the lump in his throat at the subtle sing of trust. “I’ll get Oracle and Red Robin on it.”
Jason morphs from Jay to Red Hood in one smooth step, helmet firmly placed on his head. He grunts in agreement, slinging his legs over his motorcycle. He roars off, mind half filled with tearing apart whatever traffickers dared to shit near his territory and the other half filled with worry for this possible kid.
——
Danny, as the Bats become aware of his existence, hands Amy and her kiddie gang a bag of fancy beef jerky.
“Try these with peanut butter, it’s kind of good.”
Amy stares at him, the judgement of an eight year old more piercing than anything he’s ever experienced.
“You’re fucking weird-”
“Language!” He squawks.
“-but sure, whatever you say, boss.”
“Boss?!”
The kids ignores his alarmed face.
#danny phantom#batman#dc x dp#bruce wayne#Danny had minions#Danny saved a bunch of kids from two face and now they’ve imprinted on him#like ducklings#Danny: I’ll have a nice vacation#also Danny: fights a villain and saves like a dozen kids#Danny: unionizes the kiddie gangs via peanut butter and beef jerky#Batman: there is a child#red hood: that needs our help!#dc x dp crossover#dp x dc#Danny dents the Batmobile and leaves an IOU#but doesn’t leave the owner a way to contact him
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Image via zoom.com
Design Parameters for Zoom's Design Leadership Solution
Zoom continues to hold high value and lasting relevance, consistently meeting diverse community needs with its adaptability and evolution. Initially propelled by its user-friendly design, which outpaced platforms like Skype, Zoom’s popularity skyrocketed during COVID-19, transforming remote work and communication. Features such as Live Captioning, AI Companion, Business Services, and the Developer Ecosystem make it an inclusive platform, accessible to users of all ages.
Importantly, Zoom also serves as a vital emotional connector, allowing children to interact with friends, family, and classmates despite physical distances. This capability fosters socialization and support, crucial for their development and well-being. Additionally, Zoom’s development of telemedicine brings critical healthcare to those in remote areas lacking access, bridging significant healthcare gaps globally.
This shift toward virtual connectivity marks an age of Zoom that has reshaped interaction for both personal and professional needs, reducing the need for commuting and supporting sustainability by lowering carbon footprints. With its continued evolution, Zoom remains indispensable, modifying human behavior by making remote communication, work, and healthcare accessible, and it will likely endure well into the future.
#design leadership#parameters#design leadership parameters#tangible and intangible parameters#Zoom#Zoom's design leadership#modified behavior#serving a community need#high relevancy
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Pt 2 forever teen Danny adopts post-JJ Tim. Tim accepts he has a new dad.
[Pt 1: here][pt3: here]
Tim has known Danny a month, and he can say it has had a positive effect on his life. He's super understanding and accepting of all Tim's weird quirks. And when he ran away back to the Bats (which was a train wreck. B and Dick seemed relieved for 2 seconds, then tried to throw him in Arkham. Between him not selling out "Phantom" and still having JJ traits, they found him unacceptable.), Danny let him go, understanding, before accepting Tim back as easy as breathing when he came crawling back. He helps Tim break into Drake Manor directly after, revealing the invisibility and intangibility Tim thought he hallucinated to get clothes, toiletries, his phone (there's 20 missed calls, 5 are Dick, 2 are Bruce, 2 are Barbara, 1 is his parents, and the rest are his school.), his photographs, camera, and the card linked to the allowance his parents send every 2 weeks. Tim took the last thing because he doesn't want Danny to suffer for taking him in and help with expenses, Danny frowns before giving him a lecture about that not being Tim's responsibility when he finds out. Tim still buys groceries and gets them both new laptops when Danny isn't looking.
Danny modifies any electronics to be untraceable, showing Tim the whole process, so that Tim can contact his school with a fake doctor's note, a fake kidnapping story (some thugs heard what Joker tried to do with Robin and tried their own hand at it. Harley squawked about the JJ thing and how a new meta called Phantom killed Mista J, so it's all over the news. (A fake police report magically appears in the GCPD)), and how Tim won't be able to physically be at school for a while and if they could please send his schoolwork over. Tim holds off on contacting his parents, curious to see if they notice anything, and can't find it in himself to be disappointed that they don't (not even when they stopped by the manor a few days ago, they texted him exactly 1 time to scold him about the lack of food in Drake Manor).
When Tim's physical injuries are mostly healed, Danny moves them from the shitty 1 bedroom apartment to an equally shitty 2 bedroom apartment, still in Crime Alley. Tim feels slightly guilty about Danny refusing to let him sleep anywhere other than the bed, taking the floor or couch before he moves a second bed into the new apartment. Tim isn't sure what to do with the level of care Danny showers him with, but he loves it.
Danny, while disapproving and disliking Tim wanting to continue being a vigilante, doesn't actually stop him (something about being a hypocrite if he says no?). Tim designs a new costume since he can't be Robin, and Danny helps create it! Tim isn't sure how Danny got the nearly indestructible materials that need specialized cutting and sewing materials, but it's awesome!
The costume's base is black. Black cargo pants, an armored turtleneck, black domino mask. But he decides that since he unfortunately can't get rid of all his JJ traits (the laughing fits, the scars, his hair is growing green??, the (bipolar depressive/) manic episodes, etc.) and the Bats won't accept him anyways, so why not lean in. Over the black base, he adds a gothic tailcoat vest. It's very dark purple with bright Kelly green lapels and buttons. The lenses on his mask and his combat boots are the same shade of green. He feels like the green ties his new vigilante look to Danny's ghost form. He also finds the whole fit awesome and a giant fuck you to both Papa J and the Bats.
This does lead to his current dilemma. He needs a new name before he debuts his new vigilante identity.
"I refuse to be Joker Junior!" Tim huffs at Danny, who's calmly making dinner.
"Like I've said before, then don't be."
"But what should I call myself? I can't use a bird or bat name either. I've never had to think of a name for if I was an independent before!" Tim flops on the floor. The kitchen and frontroom is basically one room, so Danny can still see him being dramatic without Tim getting underfoot.
"Name yourself a ghostly name."
"Huh?" Tim sits up to look at the slightly blushing man trapped in a child's body.
"I mean, you're already connected to my ghost form, since everyone is going to connect you to your old vigilante identity, so why not pick something ghostly or supernatural." Danny turns to do something Tim can't see, but Tim knows he's just trying to hide how embarrassed he is about sharing the suggestion. "You don't have to. You could pick something more personal, like Shutterbug or Mania or something."
"Huh... That would work. It'd really rub in the Bats' faces that they basically killed 2 Robins." Tim mutters before twisting himself into a pretzel. "Any suggestions?"
"Depends. What do you want people to get from your name? And what annoyed do you want people who know both your IDs to be? Phantom was a literal pun off my lastname."
"How is Phantom a pun off of Kronokori?"
"Kronokori is Jazz's last name, mine's Kronoyios."
"Huh??"
"And those are our lastnames because Clockwork, or I guess Kronos, adopted us. Our original lastname was Fenton."
"You got adopted by a god?"
"Basically, yeah. Don't worry about it. It's probably one of the least weird things to happen during that time, but that's for a different time. What do you want from your name?"
"Uhhh..." Tim takes a moment to really think about it. "It should be something loud and chaotic, but not necessarily good or evil? I don't really care if it would make people eye roll or groan if I share my ID. Maybe something that is angry? I definitely feel angry."
"As you should." Danny affirms and thinks a second. "Wraith? It's a vengeful spirit seen shortly before or after death."
"Mmm... No."
"Sprite? It's a-"
"No way!" Tim pauses and thinks on his violent reaction. "... Sorry.. It just feels childish and like I'm a 2 dimensional game sprite. Not something that can grow with me or demand respect."
"It's fine, Tim." Danny flashes a reassuring smile. "How about Bashee? They scream to warn someone death is near."
"Aren't they all women?"
"Not necessarily. Kinda like selkies, there's more myth about the women, but there's men too." Danny starts plating the food he made. "Apparition? They're closer to an after imagine of the dead."
"But are they loud?"
"Not usually...hmmmm" Danny hands Tim his plate while scrunching his face in thought. "Let's see, Dullahan, Kelpie, Sphinx, Shade- Oh! Oh! I know! Poltergeist! They're loud, chaotic, usually malicious, they bite and scratch and slam things! It also doesn't sound childish, so you can keep it for as long as you need."
Tim munches on his dinner while thinking it over. "I think that would work. Hehe! A Poltergeist under the care of a Phantom."
Danny smiles, "Glad to help, kiddo."
Tim sets his mostly empty plate down and launches himself at Danny. Danny used to the behavior, quickly gets his own plate out of the way and catches him in a hug.
"Thank you, Danny." His tone indicates he's thanking him for more than just the name.
"No problem." Danny kisses the top of Tim's head. They stay like that for a moment before Tim pushes himself up.
"I think I should talk to your sister." He grabs his plate and sits near Danny on the couch. "I don't want someone to trigger me with a dumb comment or something."
"I'll tell her tonight." Danny says, "She's been wanting to meet you. Mostly because she wants to know her new nephew, but also because she likes to psychoanalize hero types. She finds us fascinating, but is still usually chill about it. Unlike when we were teens."
"What happened when you were teens?" Tim asks curiously.
"So Jazz has always wanted to be a therapist, and unfortunately, that means she knew a lot on the topic, but had none of the tact in implementing the knowledge." Danny looks absolutely fond. "She'd corner me to try and force me to talk about my feelings. "You can't keep it all bottled up, Danny." "You're hurting yourself and others by not talking." It was very annoying for an angsty teen to hear. She was right, but her methods needed work. And she's definitely put in the work since then."
"Any chance she's going to be anything like Harley?"
"Not a chance. She hates clowns and isn't one for jokes that aren't well thought out. You have to be really clever to even get a chuckle at a pun." Danny explains, taking their empty plates to wash them. "She isn't opposed to dark humor, but only if she knows the reason for it and knows it's not your only coping skill."
"So you got in trouble with her a lot, didn't you?" Tim teases, knowing Danny still uses dark humor as his main coping mechanism.
"All the time, but I started listening to her advice when I was.. 30? 32? Somewhere in my early 30s." Danny admits. "I got really tired of wanting to die all the time. And her advice has definitely helped minimize the want, unfortunately, mental illness doesn't truly go away."
Tim thinks about that. He knows you can't cure the types of mental illness he has, and Danny has been very open about his own issues, but he can't help his disappointment.
"Hey, on the plus side," Danny speaks up as if sensing Tim's thoughts, sometimes Tim is positive the man can. The man isn't facing him currently, so it's definitely not because Tim was making a face or something. "You're legally a person, so Jazz can get you meds. At least for your bipolar. I know you've been struggling with the whiplash between your extreme emotions."
"That's good..." Tim stares at the back of Danny's head. "You're not legally a person?"
"Nah. In the eyes of the government, I'm dead. It's why I've been hiding out in Gotham. The government has no place here, and as much as I hate the guy, Bats keeps the people hunting me down away." Danny pauses. "You know, I wonder if they think I faded? I haven't made an appearance in nearly 20 years. Then again, Harley snitched to everyone in existence, so I might have to start dodging ghost hunters again. At least the Anti-Ecto Control Acts got repealed, so I won't be taken to a secret government lab to be experimented on again. Shout out to Amity Parkers for clawing their way into office."
"The dad lore of your life is extensive." Tim jokes.
Danny chuckles. "Being a lab accident made ghost child vigilante with a portal to the infinite realms in his basement and ghost hunter parents and the government after you and the other ghosts visiting your town will do that. You'll have your own out of pocket stories to tell your kids one day, well, if you want kids. Otherwise, shocking friends is just as fun. Just imagine telling someone about the last 2 months. "Yeah, hi! My name's Tim! I was the 3rd Robin because a furry couldn't get his act together and then the Joker kidnapped me and I got adopted by the dead guy who showed up and killed him!""
Tim giggles. "I don't sound like that!"
"Maybe, maybe not, but it's still something you could say." Danny grins at him, drying his hands. "Do you need any help with your homework?"
"Yeah, there's a chemistry problem I don't understand-"
Tim loves living with Danny. It's everything a Tim pre-Batman would daydream about. Just a dad taking interest in his life and interests and taking care of him.
#Yes i know i just gave one of my projection characters the ghost name i use for myself#but it fits the best for what I have planned#tim drake#tw mental disorders#batfam shenanigans#danny phantom#danny fenton#bruce wayne#dick grayson#barbara gordon#tw sui ideation#tw sui talk#tw mental illness#tw mental health#jazz fenton#dc x dp#dpxdc#dp x dc crossover
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The Wrong Robin Au (part four)
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Danny slowed his car down, staring at the black iron gate coming into view; Bats and ivy welded on in an elegant pattern, obviously more thought-out than The Drake's ducks had been. He had to give it to Tim, the kid had been right about how stupid the ducks looked.
Glancing around, Danny found he was completely alone on the dirt road. The gray sky slowly brightened as the sun climbed higher in the distance, trees swaying in the gentle breeze, and birds chirped.
If it hadn't been for his experiences at Vlad's place, he would have found the scenery comforting, maybe even inviting. But the knowledge that this was the home of a billionaire, one that went out at night to fight crime like a furry on crack nonetheless, ruined it.
Maybe he should just head back to the motel...
...
Fuck it, when had Phantom ever backed down? That's right! Never! Danny was going to stick to his metaphorical guns and follow through with his admittedly stupid plan.
Taking his foot off the brake; Danny activated his intangibility, shared it with the car, and drove through the gate. (look, what were his powers for if not to make his life convenient? He deserved it after literally dying for them. AND the gate was probably locked. There was no way he could convince someone to let him in at this time in the morning, so...)
Danny kept an eye on his surroundings as he drove, he doubted Bruce Wayne would have ghost vultures working for him, but that doesn't mean Danny wouldn't be prepared if he did.
Eventually, a large building came into view. Its gothic architecture and obvious timely design set it apart from Vlad's modern monstrosity of a castle. Danny could just tell this was a home for a family with old money; the weathered roof and aged water fountain told stories of the people who used to live there. This was a home, not just a house.
Pulling his car over and parking, Danny quickly sent a mental prayer to the home's ancestors. He hoped they could forgive him for what he was about to do.
Grabbing his backup phone and his keys, Danny tossed the car door open and stepped out. Immediately his senses were clouded with grief and anger. It was so strong he almost lost his footing. The house was just drenched in the emotions, tendrils reaching out and wrapping around anything and everything.
Closing his eyes, Danny held his breath so he could focus on blocking the emotions out. (flashes of someone else's memories rushed past his mind; a glimpse of a young boy sitting in a library reading a book. An older man sitting next to him silently. In another flash, the two were now in a dark cave, the light of a computer the only thing illuminating them as the older man draped a blanket across the boy's back. whispered words of sincere promises echoed in his head.)
He had believed Tim, but he hadn't expected it to be this bad. Ancients, this was worse than when he had to deal with Spectra.
Batman definitely needed therapy.
...
Maybe Jazz should be Robin instead, she'd know how to handle this properly. but Jazz wasn't here right now, she was in Sweden learning all about mental health. Which meant Danny would have to do this himself.
yay.
He had two options; One, he sits down with the man and they have a sincere and very emotional conversation. Or two, he beats it into the guy's head that he needs to stop going out and trying to get himself killed. Based on everything he knows about Batman? It was going to be number two that was going to get results... Well, at least Danny had experience punching things until he got what he wanted. (even if it didn't always work.)
Shaking himself out of his mind, Danny started making his way to the front door. It was past five in the morning, Bruce should be home now. Whether he was sleeping like Danny would assume he usually did, was a different question altogether.
Glancing around the door, Danny found there was a large rope hanging to the left. Vlad had the same thing at his place, it was an old-fashioned doorbell.
shrugging, Danny pulled on the rope and waited.
and waited.
and waited.
After a minute or two, Danny pulled the rope again. Suddenly the door swung open to reveal an older man dressed in a nice waistcoat and trousers.
"Can I help you?" the man asked, a British accent completing the look.
Danny blinked for a second before quickly focusing back on his task. "My name's Danny. Bruce is being a dumbass who needs to take a chill pill and take a step back from hospitalizing criminals. Can I come in?"
It was the old man's turn to stare and blink at him. After a minute, the man stepped back and opened the door, his eyebrow raised. "I would like to see how you plan to tell this to Master Bruce. His office is this way, young man."
"May I ask what exactly you're doing here?" the man asked, closing the door behind Danny.
Danny shrugged, "I'm here to beat some sense into him. He's going to get himself killed and no one wants to see what happens when he does."
The butler, because the rich fruitloop would obviously have one, hummed as he nodded his head in agreement. "I see. Maybe this is what he needs then. he won't listen to me, no matter how much I nag him."
Nothing else was said as he guided Danny through the manor, eventually stopping at a fancy dark wooden door. "Master Bruce, you appear to have a visitor." Then He opened the door and gestured for Danny to enter.
He only had a moment to ponder how he should do this before he entered the room. He should keep his powers hidden, for now at least.
He was greeted with the sight of an exhausted man in a bathrobe sitting at his desk and staring out the window. He was clutching a very worn and loved book in his hands, his brows slightly furrowed. (Danny noted that it was the same book the kid had been reading, The Hero and the Crown... or something like that, Danny hadn't really gotten a good look at the title.)
The butler stepped back, closing the door, and stood next to it to maybe await his new orders. Ones he probably wouldn't get any time soon, if the way Bruce hadn't moved or responded meant anything.
Well, if the old man wanted to see this then who was Danny to stop him?
Stepping forward, Danny leaned over the desk and slapped the back of Bruce's head. The man swiftly turned and stared at him, raising one of his hands to touch his head in shock. Danny heard the butler choke in surprise but ignored him. He could only pray to Clockwork that Bruce didn't kill him for this.
"You are being absolutely idiotic, dude." Danny declared. "Do you think Jason would have wanted you to act like this?" Bruce stood up, his chair slamming into the wall, his eyes burning in anger. "No? Then get your shit together and be the man he would be proud of."
Bruce lunged over the desk, his fist pulled back to hit Danny. It was just like Danny expected, just like Tim had told him, the man was letting his emotions control his actions. Dodging to the side, Danny continued talking, "This going out every night, fighting more and more dangerous and outlandish people all by yourself? It's going to get you killed."
Bruce gave up on trying to punch him, instead, he threw himself forward and body-slammed Danny to the floor. Danny coughed, quickly blocking his face as Bruce took a swing at him. Using the man's blind anger to his advantage, Danny kicked Bruce in the chest and sent him flying into his desk. "Jason's dead. It sucks. and it hurts. It's probably the worst pain you've ever experienced, but there's nothing you can do about it."
Danny glared at the man as he scrambled into a crouch, waiting to see what Bruce did next. "Shut up," the man growled, shoving himself up and away from his desk. He picked up his stapler; he was probably either going to use it as a blunt weapon or throw it at Danny. Widening his stance, Danny got ready to dodge or lunge.
He remembered reading about him, online when he first became Phantom. He remembered reading about Robin and Batman and how they worked together to protect Gotham. How they tirelessly worked day and night to put their rogues away every time they got out again.
He remembered seeing pictures of Batman standing next to little Robin, a proud smile on his face as the police took the criminals away. Pictures of the man helping and protecting Robin whenever the boy couldn't handle whatever mess he had gotten into. There was even a memorable one of Batman scolding an obviously sheepish Robin, a knocked-out Riddler slumped behind him.
He had wished so badly for someone to help him back them, for someone to be his Batman when times got hard. He remembered how devastated he was when it turned out the only person like him was Vlad. Vlad, who had wanted to murder his father and marry his mother. Vlad, who had overshadowed people to gain more wealth and power. Vlad, who hadn't seen how wrong it was to try and clone him.
He remembered the comments and videos from the citizens of Gotham, cheering for their heroes when they succeeded in capturing the rogues. How they still supported them when they failed. It was nothing like Amity's reaction to him.
He remembered how Gothom reacted when Robin was pronounced dead. How the city had cried and raged. He felt it all the way over in Amity, the grief and anger. The whole city had come together to mourn the boy who protected them. Even two years later, Danny could still feel the echoes.
"Jason's dead. He's dead and gone and you're letting yourself get consumed with your grief. but you made a promise Bruce."
Danny knew he had, it was the same promise Danny had made just four years ago.
Bruce's eyes widened and the anger that was surging in his eyes froze for just a moment. His hand loosened around the stapler but didn't let it go. The butler looked concerned, unsure if he should interfere or not.
"You made a promise all those years ago when you first dawned that stupid bat suit. You promised to do everything in your power to help your city. To protect it. Robin made the same promise. When he took up his suit. They both did."
Bruce's jaw tensed, his eyes narrowing. Danny lowered his body, still ready to dodge at a moment's notice.
"You made a promise to your son, Bruce. Even if he didn't know it. One that you couldn't keep."
Bruce threw the stapler, making Danny jump to the side to dodge it. His mistake was not keeping an eye on what Bruce did after throwing it. The man quickly rushed up to him, eyes blazing in anger. "You don't know anything!" he cried, his fist slamming into Danny's jaw. Danny staggered back but ducked under the next punch.
"I lost my son! I wasn't there!" Bruce shouted, kicking Danny's legs out from under him. Danny's back hit the floor, knocking the breath out of him. Bruce followed him down, breaking his nose with another punch to the face. "I promised I would protect him and I wasn't there!"
Danny growled, catching Bruce's fist in his hand and sending a punch at the side of Bruce's head. Bruce tried to lean back, Danny's fist clipping his forehead. Bruce grunted, reaching up to grab Danny's fist to keep him from punching him again.
"You couldn't protect him! I get it, it sucks!" Danny shouted back, flashes of Dani's melting form grasping at his shirt in panic pulled to the front of his mind. "It leaves a black hole in the center of your chest! It sucks all the warmth out of you, leaving only the cold bitter knowledge that you couldn't save him!" (that he couldn't save her)
Bruce pulled his fist out of Danny's hand, slamming his elbow down into Danny's chest and twisting Danny's right arm sharply in an attempt to break it. Danny kept talking though, ignoring the pain as he pulled his arm out of Bruce's grasp, "But Jason made a promise! and you're doing nothing to keep it!"
Danny grabbed onto Bruce's bathrobe and flipped them so Bruce was the one on the floor now. Quickly reaching up, Danny grabbed both of Bruce's hands and held them as still as he could. Bruce was strong, but Danny had years of fighting Skulker and the other super-strong ghosts under his belt. "He made that promise knowing that you had made the same one!"
Bruce growled, throwing his head up in an attempt to hit Danny with it. Danny leaned back, accidentally loosening his grip just enough for Bruce to break out of it. Bruce shoved him off of him, making Danny slide back and hit a chair.
Grunting, Danny stood up and lunged at Bruce. Bruce dodged to the side, dropping down to pick the stapler back up. "I can't claim to know what Jason would have wanted," Danny spat, backing up to give himself more space as Bruce stepped toward him. "but I know as someone who made the same promise, I wouldn't have wanted you to change into what you are now!"
Bruce narrowed his eyes at Danny, "Yeah, and what's that?" he growled.
"A careless, suicidal, moron," Danny growled back.
Bruce froze, stopping in place as he stared at Danny.
Danny took his chance to drive his point home; standing up straight, he raised his hands up in surrender. "He was your son. He looked up to you for protection. For guidance. And sure, maybe you weren't the best dad, and maybe you made mistakes. But you were his dad."
Danny stepped forward, watching as the butler stepped forward to reach out to the man. "and what kind of son would want his dad to kill himself?"
Bruce dropped his stapler, his eyes falling to the ground and catching onto the book he had dropped earlier. It was opened to the front page, written words in messy writing covering it.
"You need to stop, Bruce," Danny said, slowly crouching down and reaching out for the book. Bruce watched him as he stood up, the book still open to the front page in his hands. Jason's writing visible to all of them.
"you couldn't keep your promise to protect him. It sucks and it hurts. but you can keep his promise. The same promise you made all those years ago."
Bruce looked up at him, his blue eyes filling with tears, the butler's hand resting on his shoulder. Danny stepped forward again, holding the book out for Bruce to take.
"You can't protect Gotham if you're dead."
Jason's handwritten note stared up at them, the ink messy and smudged.
'to the best dad in the world and the many adventures we'll go on!'
and Bruce? Bruce crumbled to the floor with a sob, leaving Danny to stand in front of him. Blood running down his face, staining his hoodie and pink Hello Kitty pants, the book still held out with steady hands.
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#Danny pretends to be Robin#Post Jason's death#The Wrong Robin Au#danny's only had tim for two hours#but if anything happened to him#he'd kill everyone in the room and then himself#danny fenton#dp x dc#dc x dp crossover#dc x dp#tim drake#Wrong Robin Au#bruce wayne#batman#danny phantom#dpxdc#dick grayson#alfred pennyworth#clockwork#maybe a little out of character#but this is when burce is greiving jason#so him fighting Danny would be more likely to happen then one would think#he's not thinking clearly#danny's a stranger who just walked into his house and slapped him#and then called him out by using his dead son#he's a little angry at that#Danny knew exactly what he was doing by saying all that
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